
And so, the NME’s readership, a 13 year old boy trying to learn the drums, has spoken. MGMT are top of their Best of 2008 chart.
MGMT are a fantastic new band, but their new album is not a ‘generational marking monolith for our times’. Come on, NME, your readership will understand about 3 words of that. You’ll have to do better next time.
How about “yet another good album from America which sounds a bit like the Beach Boys but cooler and more modern”.
But then again, the new NME has never lets integrity get in the way of a good sensationalist bit of hype. This is a magazine that has spent the best part of 2008 hyping up the biggest bands and artists to boost sales, and then completely ignoring them for the end of year album list, due to a change in the weather.
This wouldn’t be so shocking if the ‘hidden gems’ they filled the chart with were actually worthy of such praise and high fashion, but when you miss out new albums from REM, The Killers and even NME’s favourite Brazilian band CSS and stick Glasvegas, Vampire Weekend and Metronomy in the top 6, it doesn’t make any sense.
But then again, fashion rarely makes sense.
I want to find out who’s turned the flagship of British music press into a children’s comic, and squeeze his skull over a glass orange juicer until all his brain juices run out.
I saw Metronomy supporting CSS in Liverpool, and they looked like they’d all swallowed light bulbs. If the thing that defines ‘next big thing’ is the ability to look like a candesent twat at all times then Metromony have succeeded admirably. All this wouldn’t matter as much if their album was any good.
It isn’t.
And as for Vampire Weekend, I gave them a chance, even suffering an entire Young Knives concert to see them in support. They didn’t bother turning up because their album had a good week in the charts and they were too busy pretending to be clever English people from Oxford, when they’re just a pretentious bunch of rich kids from suburban New York who make plinky plonky music.
I can count on one finger nail how many albums I’ll download from the NME 2008 end of year list, and that fingernail (when not being used to scratch out the NME editor’s retinas) represents an album I already have.
Crystal Castles.
But even this has it’s pitfalls, as I discovered whilst listening to their album whilst walking gingerly through Piccadilly Gardens late at night. It scares your eyeballs into your ball bags.
Though I shouldn’t be surprised at the latest folly by NME. It comes to something when the only reason for buying it today was because contained within was a full page advert featuring a greyhound wearing goggles (for Blur’s reunion gig, no less).
I promptly scanned it in so I could print it on glossy paper and frame it, but instead I spent 3 hours trying to remove print moire from it before finally framing it and realising my £1.69 Ikea picture frame had a perspex front which would stick unevenly to the glossy photo paper, making some bits of the picture darker than others.
So, with my girlfriend away in Italy and my faith in the music industry shattered once again thanks to NME, I have no option but to spend time compiling my Biggest Nobs In Music, chart, 2008:
10. Hot Chip - boring vacuous electro ponces, hyped up as ’super-intelligent’ beings by the music press and scene kids.
9. Mogwai - pretentious wannabe-avant-garde bores, who slag off Blur for no reason at all, whilst trying to be funny but failing.
8. Oasis - squeezed out another turd, years in the making, and then spent the rest of the year slagging off other, more creative, bands.
7. Glasvegas - “breathtaking poise and beauty, reaching stratospheric emotional magnitudes absent from anything else released this year” said the NME. No: drab uninteresting Glaswegian dirge more like.
6. Metronomy - incredibly pretentious and depressing electroshite made by giant lightbulbs which gives me a craving to stop listening and go for a pint.
5. Music press photographers - a shocking lack of originality. How many more haircuts are we going to have to see gazing nonchalantly into the camera like a dead fashion models before another Anton Corbijn comes along?
4. The Artic Monkeys. Laddy lad lad lad black tie lad lad skinny jeans lad lad lad pint pint pint pint lad lad lad. (Oh, is it December already, I nearly forgot they even released an album this year)
3. Britney Spears - nothing but a fat slag corrupting the world’s youth
2. Queen - God awful album, wrong choice of replacement for the irreplaceable. I’d rather listen to the electromagnetic buzz of Brian May’s telescope for 17 hours. It’s like the worse Brian May solo song from the 1990’s combined with the worse Roger May solo song from the 90’s extended to 90 minutes.
But the king cunt is….
Drum roll please!
1. Vampire Weekend
They might sound like early REM with their jingly guitars but where REM combined salty down to earth levelheadedness with an edgy mysterious shyness, Vampire Weekend replace ALL THAT WITH SHEER ARROGANCE.
Who gives a fuck about an English comma? Who gives a fuck, really. Bearded twonks.